Some artists present an idealized
view of reality; others show the truth, as harsh as it is. The visit to the
Käthe Kollwitz museum led me into a world of the stark reality of Germany in
the early 20th century, as seen through her art.
Kollwitz’s subjects include the
poor, the revolutionaries, the starving, the dead, mothers and children, and
sometimes, even happiness. Her images are stark and monochromatic. However,
they are anything but boring in the singular color; they overflow with
compelling imagery, feeling, and strife.
For example, her poster,
“Deutschlands Kinder hunger!” (Germany’s Children are Starving!), of children
holding up bowls for food pulls the viewer into the desperate world of hungry
children with huge, imploring eyes. The poster reminds viewers of the tough
times Germans were facing following war and massive inflation as food was
scarce.
Other subjects include mothers holding
their children tight. Some seem to be sheltering their children from the unkind
world of poverty; others seem to be refusing to let their children go.
The museum also includes many
self-portraits of Kollwitz. She gazes out at the viewer with a hooded
expression that doesn’t seem to change as the years go on. The only thing that
does change is the slight differences associated with ages. She lost her
beloved son, Peter, in World War I after she gave him permission to enlist as a minor. With
this background knowledge, it helps one to understand her expression of a
person hanging on, but with sadness in her heart.
Sculptures by Kollwitz are just as
moving as her prints are. Often, a small sculpture is just of a person covering
her face in anguish. It’s amazing how something small can depict such feeling
and pain. Other sculptures show mothers protecting their children, or, in the
case of Mother and Her Dead Son, a mother cradling her departed son, brooding
over her loss.
With her subjects of the poor and
the trials they faced in an explosive early 20th century Germany, Käthe Kollwitz used her art as both a way to record history and to call for
helping the poor and suffering. The museum trip left me feeling pensive,
trapped in the haunting faces of children, mothers, and revolutionaries.
Interesting blog, Ann.
ReplyDeleteEnjoyed reading your blog about Kathe Kollwitz. I admire her work.
When I worked at Michigan Bell in downtown GR during the late sixties I would often browse thru the department stores while on my lunch hour. I was looking through a bin of art prints at Steketee's and came across a beautiful print of Kathe Kollwitz's sketch of "Boy with Arms Around his Mother's Neck".
I bought it and had it professionally framed.
After all those years it still graces my bedroom wall.
M o P